![]() Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Section 3 argues that law in Hamlet is distinct not in the sense of existing separately from other forms of power, but because, again through its linguistic element, it becomes the paradigm for the oppressive tendencies of power generally as exercised within the modern state. Even more overtly than the nominally medieval setting of the early history plays, Hamlet's world anticipates the modern surveillance state, in which the ‘literacy’ of power - far from overcoming the sheer, brute force correlated to the Renaissance stereotype of medieval law - merely dresses it in that same manipulable language which is put on trial in the Henry VI trilogy. Section 2 considers Hamlet's broader political context. Section 1 examines law and language in one of Shakespeare's early works, the history play Henry VI, Part Two, which partly anticipates, but partly also diverges from Hamlet's portrayal of law. Hamlet represents Shakespeare's most original statement on legal language as the essence of all that is manipulative and duplicitous in law's norms, institutions, guardians, and practitioners - a culmination of insights progressively developed earlier in the corpus. ![]() This chapter suggests that law's oppressive character emerges largely through its linguistic qualities, in Hamlet.
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